Source: http://hollywoodcrush.mtv.com/2011/09/29/jason-derulo-dream-date/
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'It was a like a garden of girls and black light,' Mac Miller tells MTV News of his latest clip.
By Rob Markman
Mac Miller in his "Frick Park Market" video
Photo: Rostrum Records
Making sandwiches while rapping isn't as simple as you may think, but in his "Frick Park Market" video, Mac Miller makes it all look so easy.
Filmed on location at his favorite Pittsburgh deli, Miller jumped behind the counter and got to work. Before we see Mac, however, we see his filthy-looking, gloveless hands putting together a turkey and cheese sandwich.
"My hands aren't really that dirty; that's just the lighting," Mac insisted when he broke down the video for MTV News.
It's not only his sandwich-making and lyricism the rapper puts on display. Mac also dresses up as his nerdy alter ego, Cam Rellum. Suited up in a blond Afro wig, blue tux and black-framed spectacles, the rapping version of Mac is impressed with his character portrayal. "I look so f---in' awesome in that '70s porno tuxedo, powder-blue," the self-appraising Miller said jokingly.
Miller also shines the light on his Most Dope crew. Jimmy drinks syrupy slushee mix straight from the Frick Park Market's fountain, and TreeJay falls asleep atop the deli's cash register. Looks like a good time, right?
The party really gets started when Miller finds a secret door that leads to an alternate reality where models (painted in DayGlo paint) dance with furry animals under a black light.
"The concept of that, it was like a garden of girls and black light," Mac explained. "All these girls looked so sweet and trippy," he remarked before revealing his original vision for the video's models. "My idea was to put all the girls in onesie bathing suits and make them look like synchronized swimmers and put caps on 'em, but we just made 'em look trippy."
The video ends with Mac and friends rolling to Blue Slide Park, the neighborhood playground that he named his upcoming debut album after. "We all rolled up in costumes and kinda took over. These little kids were on the slide and we really just kinda bullied them off the slide and sent gigantic furries down the slide," he said while laughing. "The parents were looking at me like, 'Who is this?' "
Mac Miller, duh!
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"Typical. I come back to Britain for some trusty seasonal rain, cold wind and sleet - and get a bloody LA-style heatwave." Talk show host Piers Morgan is shocked by the sunny weather gripping his native U.K.
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'Music isn't about competition no more. All the gangster rappers are happy,' Wayne tells magazine.
By Rob Markman
Lil Wayne on the October/November 2011 cover of <i>Vibe</i>
Photo: VIBE
Lil Wayne is himself a music icon, but on the cover of Vibe magazine's October/November issue, the YMCMB superstar channels the spirit of another. Sporting a regal red and gold-accented coat, similar to one that Jimi Hendrix famously wore, Weezy capped off his outfit with a black fedora and black sunglasses, finding inspiration in the legendary guitarist. In his interview, Wayne opened up about competition in rap, his feud with Jay-Z and Drake's success, and of course, MTV News got the exclusive scoop.
"There's no competition [with any artists]. Music isn't about competition no more. All the gangster rappers are happy, all the skateboard rappers are happy, all the white rappers are happy. ... Everybody just happy to do music these days," Weezy said in an exclusive magazine excerpt obtained by MTV News. "There are no problems. That sh-- died a long time ago with them old-ass rappers. We are just making music, making money and having fun — feeding our families. Competition is for the old guys."
The quote is a bit contradictory considering Wayne threw a shot at Jay-Z on "I'm Good," a song off of his latest album, Tha Carter IV. The two have quietly been feuding for some time now, throwing subliminal darts in each other's direction, never actually acknowledging each other by name. When asked if he expected any backlash from the dis, Wayne stood confident.
"Well, I'm a man. I believe as a man, you should know that. Every man should know the repercussions and consequences behind whatever they do before they do it. And of course, I know there won't be any repercussions behind what I did," the rapper told Vibe.
Hip-hop beefs are a very small part of Wayne's dynamic. Vibe editor in chief Jermaine Hall said that the Young Money boss is more than just a rapper, citing his 2010 rock-inspired Rebirth album and his acoustic hit "How to Love" as examples of Tunechi's reach. It was his diversity and modern-day rock swag that led the magazine to use Hendrix as a muse.
"He was very into the Jimi Hendrix concept," Hall said of the shoot, which took place in Miami in early August. "I didn't know how far Wayne was willing to take it. But it just so happens that Jimi is also one of his idols and actually one of the people that influenced him to pick up a guitar and try to learn how to play. So he was 100 percent onboard with the concept."
In the issue, which also features Chris Rock, J. Cole and a story on Tupac's Hollywood impact, Vibe also got Weezy to open up about Drake's success. Is his competitive spirit fueled by Drizzy's accomplishments? Not in the least bit. "I don't look at it like that. Drake is my artist. If he wasn't my artist, then yeah, maybe," he said of their relationship. "But that's my artist. He's not [just] a friend. We're more than friends. It's business. It would be impossible for it to be a competition. I mean, I'm the guy's boss."
Weezy also gets political talking about his feelings on the riots that rocked London this past August. "All you could do is pray for the people that were dealing with the situation and hope for the best. As far as them blaming hip-hop, you can blame Jesus for things, so you can't really fault anybody for blaming someone or something. All you can do is hope for the best," he said in response to those who blamed rap for the political upheaval.
"Wayne is the type of artist ... obviously he's a rock star, he's loved in the 'hood, he's touching so many pockets around this country right now," Hall said of his latest cover subject. "It's what allows him to come out first week and do [almost a million]. He's not just dealing with one audience anymore."
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Riccardo Tisci talks about his love of hip-hop and working with rap titans the Throne.
Photo: Jeff Kravitz
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In addition to assistant's testimony, bodyguard claims MJ's kids were in the room when he died.
By Gil Kaufman, with additional reporting by Kara Warner
Dr. Conrad Murray
Photo: Pool/ Getty Images
Day two of testimony in the manslaughter trial of former Michael Jackson doctor Conrad Murray featured more damning revelations from MJ's personal assistant and head of security, as well as employees of AEG Live, the firm that was promoting the singer's 50-show This Is It attempted comeback tour.
Among the revelations Wednesday (September 28), an attorney for AEG Live, Kathy Jorrie, described the contract she wrote up between AEG, Murray and Jackson. The document specified that Murray was to be paid a $150,000-a-month retainer, even when This Is It was on hiatus, and that the cardiologist requested a CPR machine for Jackson during the run of the shows in London.
As for why he needed a machine used for resuscitation, TMZ reported that Murray claimed he didn't want to take chances given MJ's age (50) and the strenuous nature of the show. Jorrie also said that in a conversation with Murray on June 24, 2009 — the day before Jackson's death — the doctor said he'd seen his client perform and that he appeared to be in "perfect" health.
She also confirmed that the contract — drafted 10 days before Jackson's death — had never been signed by any of the parties and that it contained revisions requested by Murray, including retroactive pay dating back to May 2009 through March 2010 and a clause exempting him from refunding any of his monthly retainer if Jackson changed his mind or canceled the tour.
In an effort to lay out the timeline of events on the day of Jackson's death, prosecutors called the pop icon's personal assistant, Michael Amir Williams, who discussed a panicked voicemail he received from Murray. After watching an "amazing" rehearsal the night before, Williams said he picked up an urgent voicemail from Murray the next day at 12:13 p.m. asking him to call back right away to discuss a "bad reaction" MJ had.
When Williams arrived at Jackson's rented Beverly Hills estate, the first thing he saw was his boss on a gurney and a "frantic-looking Murray, who, after Jackson was pronounced dead, confided to Williams that there was some "cream Michael wouldn't want the world to know about" at the house. Williams drove Murray back to the mansion to retrieve the "cream," and after checking with Jackson's head of security, they let the doctor back into the house.
AEG Live co-CEO Paul Gongaware was back on the stand again Wednesday, testifying that Murray had initially asked for the exorbitant sum of $5 million per year to take care of Jackson. When the singer insisted that he wanted Murray to take care of him, he instructed Gongaware to call back and offer $150,000 a month.
The final witness to testify Wednesday was Jackson's head of security, Faheem Muhammad, who described arriving on the scene to see Murray frantically trying to resuscitate the fallen pop star, while two of Jackson's children, Paris and Prince, looked on. Muhammad said Jackson appeared to be dead when he arrived and that when he noticed the children in the room, he took them downstairs. Muhammad added that he heard Murray asking if anyone knew CPR, which prompted fellow bodyguard Alberto Alvarez to try to help.
On Tuesday, the opening day of the trial, in addition to disturbing photos of Jackson and a voicemail in which the singer's speech was slurred and garbled, the jury heard from longtime friend and choreographer Kenny Ortega, who said he could tell something was not right with Jackson.
Murray has been charged with involuntary manslaughter and administering the fatal dose of the surgical anesthetic propofol that caused Jackson's death and faces four years in prison and the loss of his medical license if found guilty.
Defense attorney Ed Chernoff told the jury Tuesday that Jackson caused his own death by swallowing eight 2-milligram pills of the anti-anxiety drug Lorazepam, as well as injecting himself with a dose of propofol that instantly killed him. Testimony in the trial continues Thursday.
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